top of page
TAF Texture Background.webp
Trent Anthony Francis Website Photography 01.webp
TAF Texture Background.webp

MUSIC PRODUCTION & SOUND

​​​​

Supercharger (Compressor)

Replika XT (Delays)

Splice (Sampling)

NeoVerb (Reverb)

Ozone (Mastering)

 

Cubase (DAW)

Logic Pro (DAW)

 

Vibe Rewind (VSTi)

Bioscape (VSTi)

Lunaris 2 (VSTi)

Hypha (VSTi)

Arkhis (VSTi)

Sequis (VSTi)

Fables (VSTi)

Braams II (VSTi)

Absynth 6 (VSTi)

Ethereal Earth (VSTi)

NI Guitar Rig (Software Instrument)

NI Kontakt (Software Instrument)

NI Reaktor (Software Instrument)

Trent Anthony Francis gothic historical etching artwork
Trent Anthony Francis Website Photography 03.webp
TAF Texture Background.webp

VISUAL ART, FILM & DESIGN

​​​

Dan Robinson Studio (Overlays)

RetroSupply Co. (Overlays)

Bracken Design (Overlays)

Eldamar Studio (LUTs)

​​

Century Library (Collage)

Heritage Type Co. (Collage)

Amaso Studio (Collage)

Krita (Art Studio)

Affinity (Art Studio)

Blender (3D Modelling)

Movavi Suite (Video Suite)

Mosh Pro (Analog & Glitch)

DaVinci Resolve (Video Suite)

 

Faber-Castell (Drawing Tools)

Huion (Drawing Tablets)​​​

​​​​

Pixel Pro (Photography)

Venice (AI Creative Suite)

Google Flow (AI Creative Suite)

Trent Anthony Francis gothic historical etching artwork
TAF Texture Background.webp
Native Instruments Logo.png
Faber-Castell Logo.png
Huion Logo.png
Bracken Design Logo.png
Google Pixel Logo.png
Venice Logo.png
Kodak Logo.png
Movavi Video Editor Logo.png
Affinity Logo.png
Cubase Logo.png
Blender Logo.png
Krita Logo.png
Google Flow Logo.png
MoshPro Logo.png
TAF Texture Background.webp

A NOTE ON PROCESS & TECHNOLOGY

My visual art is mixed media in every sense of the word, incorporating real world photography, collage, graphic design, drawing, VHS glitching, collaborations, and - where it makes sense for an idea (such as my delibrate uncanny valley horror) the use of AI tools. As an independent artist releasing all my published work for free and operating without the budget for expensive equipment or complex physical shoots, I may use some AI assistance to help construct strange, surreal imagery and impossible scenes that I couldn't otherwise stage, photograph, or afford to create from scratch.

 

I understand and share the ethical concerns surrounding how this technology is built and deployed. I firmly believe in strong industry regulation, transparency when it is used, fair compensation and protections for creators, and using these tools thoughtfully rather than treating them as a cheap replacement for human effort.

 

Honestly, I find 99% of AI stuff utterly lifeless, uninspiring and boring, but I do believe it has certain use cases if it makes sense for a project and where true human ideas compliment or work around it.

I like to be as transparent as possible, if you have any questions - Please do not hesitate to
reach out.

MUSIC, SOUND & AUDREY VIXEN

All music, sound design, and scoring under Audrey Vixen is 100% human-made. Every track is written, recorded, and produced from scratch by Kellie and me, with zero generative AI of any kind involved.

YELLOW BG 2.jpg
bottom of page