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MUSIC PRODUCTION & SOUND

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Supercharger (Compressor)

Replika XT (Delays)

Splice (Sampling)

NeoVerb (Reverb)

Ozone (Mastering)

 

Cubase (DAW)

Logic Pro (DAW)

 

Vibe Rewind (VSTi)

Bioscape (VSTi)

Lunaris 2 (VSTi)

Hypha (VSTi)

Arkhis (VSTi)

Sequis (VSTi)

Fables (VSTi)

Braams II (VSTi)

Absynth 6 (VSTi)​

Ethereal Earth (VSTi)

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NI Guitar Rig (Software Instrument)

NI Kontakt (Software Instrument)

NI Reaktor (Software Instrument)

Trent Anthony Francis gothic historical etching artwork
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VISUAL ART, FILM & DESIGN

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Dan Robinson Studio (Overlays)

RetroSupply Co. (Overlays)

Bracken Design (Overlays)

Eldamar Studio (LUTs)

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Century Library (Collage)

Heritage Type Co. (Collage)

Amaso Studio (Collage)

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Krita (Art Studio)

Affinity (Art Studio)

Blender (3D Modelling)

Movavi Suite (Video Suite)

Mosh Pro (Analog & Glitch)

DaVinci Resolve (Video Suite)

 

Faber-Castell (Drawing Tools)

Huion (Drawing Tablets)​​​

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Pixel Pro (Photography)

​Canon (Scanning)

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Google Flow (AI Creative Suite)

Trent Anthony Francis gothic historical etching artwork
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A NOTE ON PROCESS & TECHNOLOGY​

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My visual art is mixed media in every sense of the word, incorporating real world photography, collage, graphic design, drawing, VHS glitching, collaborations, and - where it makes sense for an idea (such as my delibrate uncanny valley horror videos) the use of generative tools. As an independent artist releasing all my published work for free and operating without the budget for expensive equipment or complex physical shoots, I may use some AI assistance to help construct strange, surreal, photorealistic imagery and impossible scenes that I couldn't otherwise stage, photograph, or afford to create from scratch. Any time this method is used, all work is trained / remixed from my own art, not others.

 

I understand and share the ethical concerns surrounding how this technology is built and deployed. I firmly believe in strong industry regulation, transparency when it is used, fair compensation and protections for creators, and using these tools thoughtfully rather than treating them as a cheap replacement for human effort.

 

Honestly, I find 99% of AI stuff utterly lifeless, uninspiring and dull, but I do believe it has certain use cases if it makes sense for a project and where true human ideas compliment or work around it.

I like to be as transparent as possible, if you have any questions - Please do not hesitate to
reach out.

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MUSIC, SOUND & AUDREY VIXEN

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All music, sound design, and scoring under Audrey Vixen is 100% human-made. Every track is written, recorded, and produced from scratch by Kellie and me, with zero generative AI of any kind involved.

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