​Based in Melbourne, I am a mixed medium producer fusing visual art, video and music that can be as beautiful, as it is terrifying.
Since starting out in the early 2000s, after finishing film school (and then dropping out of contemporary arts at uni), my work has been driven by an obsession with the relentless pulse of underground club culture, provocative visual art and the transgressive arthouse cinema of directors like David Cronenberg, Claire Denis, Gregg Araki, and Larry Clark.
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Writing and producing as Audrey Vixen, I create electronic music that sits comfortably between ambient, alternative, and breakbeat with production partner (and wife) Kellie B.
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I thrive in imperfections and actively encourage them. As a strong advocate for Creative Commons, most of my work is free to use by anyone, anywhere in the world.
The urge to create is something deeply human, something that connects us to our past and shapes our future. We look back at what came before, drawing inspiration from the artists and innovators who paved the way. For me, it's all about building on that foundation, using the tools we have today to see things in a new light.
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I love the idea of iteration and collaboration – that creative spark that comes from working with others or putting your own spin on an existing style or idea. It's like a conversation that stretches across time, with each generation adding its own voice to the mix.​ Platforms like Creative Commons are amazing because they make it easier for everyone to participate in this creative dialogue. It's about breathing new life into old works and creating something completely new in the process.
To me, that's what keeps art alive and evolving – that constant loop of discovery and expression. Art is essential to who we are, and it always will be.​​