Based in Melbourne, I am a multi-disciplinary artist navigating the intersection of technology and raw emotion. Since the early 2000s, I have been producing electronic music under the moniker Audrey Vixen, crafting a sonic identity defined by layered, deeply melancholic soundscapes that contrast ambient textures with dark, relentless beats.
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I maintain a strict methodological divide in my creative process. While I am a proponent of open-source creativity and utilize custom-trained generative AI to scale the complexity of my visual art, my musical output remains entirely hand-crafted. From film scores to the pulsing tracks of Audrey Vixen, every element of sound design is built from the ground up without the use of generative AI tools.
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My work, often released under my indie imprint Music for the Doomed Generation, has been featured on labels such as Sony BMG, WEATNU, and Nuform. As a staunch advocate for Creative Commons, I release the majority of my work for free, inviting the world to not just consume my art, but to use and adapt it.
The urge to create is something deeply human, something that connects us to our past and shapes our future. We look back at what came before, drawing inspiration from the artists and innovators who paved the way. For me, it's all about building on that foundation, using the tools we have today to see things in a new light.
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I love the idea of iteration and collaboration – that creative spark that comes from working with others or putting your own spin on an existing style or idea. It's like a conversation that stretches across time, with each generation adding its own voice to the mix.​ Platforms like Creative Commons are amazing because they make it easier for everyone to participate in this creative dialogue. It's about breathing new life into old works and creating something completely new in the process.
To me, that's what keeps art alive and evolving – that constant loop of discovery and expression. Art is essential to who we are, and it always will be.​​